250 Jazz Patterns by Evan Tate

The following backing tracks can be used for patterns #1-#12.

The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #13-#18.

The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #19-#25.

The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #26-#32.

The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #33-#38.

The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The first two beats of measure one is a IIb5 chord. The second two beats of measure one is a Vb9 chord. The next measure is a I minor chord and then the pattern repeats.

II-V-I Short Sequence Backing Tracks.  The II chord is Dm7b5,the V chord is G7b9 and the I chord is C Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Ebm7b5,the V chord is Ab7b9 and the I chord is Db Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Em7b5,the V chord is A7b9 and the I chord is D Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Fm7b5,the V chord is Bb7b9 and the I chord is Eb Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is F#m7b5,the V chord is B7b9 and the I chord is E Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Gm7b5,the V chord is C7b9 and the I chord is F Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is G#m7b5,the V chord is C#7b9 and the I chord is F# Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Am7b5,the V chord is D7b9 and the I chord is G Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bbm7b5,the V chord is Eb7b9 and the I chord is Ab Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bm7b5,the V chord is E7b9 and the I chord is A Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Cm7b5,the V chord is F7b9 and the I chord is Bb Minor  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is C#m7b5,the V chord is F#7b9 and the I chord is B Minor  Concert follows:

The first measure is a IIb5 chord. The second measure is a Vb9 chord. The next two measures is a I minor chord and then the pattern repeats.

II-V-I Long Sequence Backing Tracks.  The II chord is Dm7b5,the V chord is G7b9 and the I chord is C Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Ebm7b5,the V chord is Ab7b9 and the I chord is Db Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Em7b5,the V chord is A7b9 and the I chord is D Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Fm7b5,the V chord is Bb7b9 and the I chord is Eb Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is F#m7b5,the V chord is B7b9 and the I chord is E Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Gm7b5,the V chord is C7b9 and the I chord is F Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is G#m7b5,the V chord is C#7b9 and the I chord is F# Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Am7b5,the V chord is D7b9 and the I chord is G Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Bbm7b5,the V chord is Eb7b9 and the I chord is Ab Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Bm7b5,the V chord is E7b9 and the I chord is A Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Cm7b5,the V chord is F7b9 and the I chord is Bb Minor  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is C#m7b5,the V chord is F#7b9 and the I chord is B Minor  Concert follows:

The first two beats of measure one  is a II chord. The second two beats of measure one is a V chord. The next measure is a I chord and then the pattern repeats.

II-V-I Short Sequence Backing Tracks.  The II chord is Dm7,the V chord is G7 and the I chord is C Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Ebm7,the V chord is Ab7 and the I chord is Db Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Em7,the V chord is A7 and the I chord is D Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Fm7,the V chord is Bb7 and the I chord is Eb Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is F#m7,the V chord is B7 and the I chord is E Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Gm7,the V chord is C7 and the I chord is F Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is G#m7,the V chord is C#7 and the I chord is F# Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Am7,the V chord is D7 and the I chord is G Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bbm7,the V chord is Eb7 and the I chord is Ab Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bm7,the V chord is E7 and the I chord is A Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Cm7,the V chord is F7 and the I chord is Bb Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is C#m7,the V chord is F#7 and the I chord is B Major  Concert follows:

The first measure is a II chord. The second measure is a V chord. The next two measures is a I chord and then the pattern repeats.

II-V-I Long Sequence Backing Tracks.  The II chord is Dm7,the V chord is G7 and the I chord is C Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Ebm7,the V chord is Ab7 and the I chord is Db Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Em7,the V chord is A7 and the I chord is D Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Fm7,the V chord is Bb7 and the I chord is Eb Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is F#m7,the V chord is B7 and the I chord is E Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Gm7,the V chord is C7 and the I chord is F Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is G#m7,the V chord is C#7 and the I chord is F# Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Am7,the V chord is D7 and the I chord is G Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Bbm7,the V chord is Eb7 and the I chord is Ab Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Bm7,the V chord is E7 and the I chord is A Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Cm7,the V chord is F7 and the I chord is Bb Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is C#m7,the V chord is F#7 and the I chord is B Major  Concert follows:

Each backing track is in concert so if you wish to practice your D dorian mode scale on tenor saxophone – you should select the C Minor backing track.

Minor Chord Backing Tracks in the Key of C Minor  Concert follows:

Minor Chord Backing Tracks in the Key of Db Minor Concert follows:

Minor Chord Backing Tracks in the Key of D Minor Concert follows:

Minor Chord Backing Tracks in the Key of Eb Minor Concert follows:

Minor Chord Backing Tracks in the Key of E Minor Concert follows:

Minor Chord Backing Tracks in the Key of F Minor Concert follows:

Minor Chord Backing Tracks in the Key of Fsharp Minor Concert follows:

Minor Chord Backing Tracks in the Key of G Minor Concert follows:

Minor Chord Backing Tracks in the Key of Ab Minor Concert follows:

Minor Chord Backing Tracks in the Key of A Minor Concert follows:

Minor Chord Backing Tracks in the Key of Bb Minor Concert follows:

Minor Chord Backing Tracks in the Key of B Minor Concert follows:

Each backing track is in concert so if you wish to practice your D major Scale on tenor saxophone – you should select the C Major backing track.

Major Chord Backing Tracks in the Key of C Concert follows:

Major Chord Backing Tracks in the Key of Db Concert follows:

Major Chord Backing Tracks in the Key of D Concert follows:

Major Chord Backing Tracks in the Key of Eb Concert follows:

Major Chord Backing Tracks in the Key of E Concert follows:

Major Chord Backing Tracks in the Key of F Concert follows:

Major Chord Backing Tracks in the Key of Fsharp Concert follows:

Major Chord Backing Tracks in the Key of G Concert follows:

Major Chord Backing Tracks in the Key of Ab Concert follows:

Major Chord Backing Tracks in the Key of A Concert follows:

Major Chord Backing Tracks in the Key of Bb Concert follows:

Major Chord Backing Tracks in the Key of B Concert follows:

I am providing a bebop workout on Anthropaulogy ( Anthropology ) in all 12 keys. Be sure to try Evan Tate’s 250 Jazz Patterns and Steve Neff’s Dominant Bebop Scale ideas over this bebop tune in all 12 keys. The quarter note is 250 on the backing tracks.

I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C – you will use a pdf chart in the key of D.

Have fun working through all 12 keys!

Anthropaulogy Key C pdf (263)

Anthropology Key Db pdf (114)

Anthropology Key D pdf (128)

Anthropology Key Eb pdf (114)

Anthropology Key E pdf (116)

Anthropology Key F pdf (103)

Anthropology Key Fsharp pdf (109)

Anthropology Key G pdf (119)

Anthropology Key Ab pdf (105)

Anthropology Key A pdf (117)

Anthropology Key Bb pdf (136)

Anthropology Key B pdf (89)

Anthropaulogy in the Key of C follows:

Anthropaulogy in the Key of Db follows:

Anthropaulogy in the Key of D follows:

Anthropaulogy in the Key of Eb follows:

Anthropaulogy in the Key of E follows:

Anthropaulogy in the Key of F follows:

Anthropaulogy in the Key of Fsharp follows:

Anthropaulogy in the Key of G follows:

Anthropaulogy in the Key of Ab follows:

Anthropaulogy in the Key of A follows:

Anthropaulogy in the Key of Bb follows:

Anthropaulogy in the Key of B follows:

I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C – you will use a pdf chart in the key of D.

Have fun working through all 12 keys!

Three Chord Rock Shuffle Blues - Key C (194)

Three Chord Rock Shuffle Blues - Key Db (109)

Three Chord Rock Shuffle Blues - Key D (115)

Three Chord Rock Shuffle Blues - Key Eb (110)

Three Chord Rock Shuffle Blues - Key E (113)

Three Chord Rock Shuffle Blues - Key F (106)

Three Chord Rock Shuffle Blues - Key Fsharp (102)

Three Chord Rock Shuffle Blues - Key G (116)

Three Chord Rock Shuffle Blues - Key Ab (97)

Three Chord Rock Shuffle Blues - Key A (114)

Three Chord Rock Shuffle Blues - Key Bb (113)

Three Chord Rock Shuffle Blues - Key B (94)

Rock Shuffle Blues in the Key of C follows:

Rock Shuffle Blues in the Key of Db follows:

Rock Shuffle Blues in the Key of D follows:

Rock Shuffle Blues in the Key of Eb follows:

Rock Shuffle Blues in the Key of E follows:

Rock Shuffle Blues in the Key of F follows:

Rock Shuffle Blues in the Key of Fsharp follows:

Rock Shuffle Blues in the Key of G follows:

Rock Shuffle Blues in the Key of Ab follows:

Rock Shuffle Blues in the Key of A follows:

Rock Shuffle Blues in the Key of Bb follows:

Rock Shuffle Blues in the Key of B follows:

Jazz standards are usually characterized by a harmonic rhythm that averages about one to two measures per chord. The intervals used between the roots of adjacent chords frequently are II-V-I, cycle movement and chromatic movement.

I am providing pdf files and mp3 files for all 12 keys. This should readily facilitate practicing in all 12 keys.  Be sure to checkout my post on 250 Jazz Patterns by Evan Tate.  Evans’s 250 Jazz Patterns book has patterns in all 12 keys and will be extremely useful with these jazz standard backing tracks in all 12 keys. You can also use my Harmonic Minor Pattern 1 post on these standards.

Have fun practicing in all 12 keys!

 All Of PAULMAINE.COM - Key Db pdf file (91)

 All Of PAULMAINE.COM - Key Eb pdf file (90)

 All Of PAULMAINE.COM - Key E pdf file (84)

 All Of PAULMAINE.COM - Key F pdf file (83)

 All Of PAULMAINE.COM - Key F# pdf file (80)

 All Of PAULMAINE.COM - Key G pdf file (87)

 All Of PAULMAINE.COM - Key Ab pdf file (103)

 All Of PAULMAINE.COM - Key A pdf file (98)

 All Of PAULMAINE.COM - Key Bb pdf file (89)

 All Of PAULMAINE.COM - Key B pdf file (85)

I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C – you will use a pdf chart in the key of D.

ALL OF PAULMAINE.COM in the Key of C follows:

ALL OF PAULMAINE.COM in the Key of Db follows:

ALL OF PAULMAINE.COM in the Key of D follows:

ALL OF PAULMAINE.COM in the Key of Eb follows:

ALL OF PAULMAINE.COM in the Key of E follows:

ALL OF PAULMAINE.COM in the Key of F follows:

ALL OF PAULMAINE.COM in the Key of F# follows:

ALL OF PAULMAINE.COM in the Key of G follows:

ALL OF PAULMAINE.COM in the Key of Ab follows:

ALL OF PAULMAINE.COM in the Key of A follows:

ALL OF PAULMAINE.COM in the Key of Bb follows:

ALL OF PAULMAINE.COM in the Key of B follows: