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<channel>
	<title>Demo Songs<title></title>
</title>
	<atom:link href="http://www.paulmaine.com/feed/podcast/" rel="self" type="application/rss+xml" />
	<link>http://www.paulmaine.com</link>
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<itunes:author>Paul Maine</itunes:author>
	<itunes:explicit>no</itunes:explicit>
			<item>
		<title>3-5-7-9 Arpeggio Exercise-all 12 keys</title>
		<link>http://www.paulmaine.com/2010/03/3-5-7-9-arpeggio-exercise-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2010/03/3-5-7-9-arpeggio-exercise-all-12-keys/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 01:17:12 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Jazz Backing Tracks]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=757</guid>
		<description><![CDATA[I wanted to include backing tracks for a very useful 3-5-7-9 arpeggio exercise that appears in Bert Ligon&#8217;s &#8220;Comprehensive Technique for Jazz Musicians&#8221; book. If you don&#8217;t already have a copy of Bert&#8217;s books you should invest in them. They contain a wealth of practical information to improve your jazz chops.
 
The exercise is 2.20... <a href="http://www.paulmaine.com/2010/03/3-5-7-9-arpeggio-exercise-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p>I wanted to include backing tracks for a very useful 3-5-7-9 arpeggio exercise that appears in Bert Ligon&#8217;s &#8220;Comprehensive Technique for Jazz Musicians&#8221; book. If you don&#8217;t already have a copy of Bert&#8217;s books you should invest in them. They contain a wealth of practical information to improve your jazz chops.</p>
<p><iframe src="http://rcm.amazon.com/e/cm?t=saxpaumai-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=0634001760&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe> </p>
<p>The exercise is 2.20 on page 43 of this book. Due to copyright restrictions I am not able to include the chart. I have included backing tracks in all keys. The tracks are in concert key.</p>
<p>In the key of F the progression is:</p>
<p>|Gm7|C7|Fmaj7|Bbmaj7|Em7b5|A7|Dm|D7| and repeats</p>
<p>The point of the exercise is to start on the third of each chord. Octave displacement is used in every other measure of the arpeggio on the second note. The seventh resolves into the third of the successive chord by a step.</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of C follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of Dflat follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of D follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of Eb follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of E follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of F follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of Fsharp follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of G follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of Aflat follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of A follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of Bflat follows:<br />
</p>
<p>3-5-7-9 Arpeggio Exercise in the Key of B follows:<br />
</p>
]]></content:encoded>
			<wfw:commentRss>http://www.paulmaine.com/2010/03/3-5-7-9-arpeggio-exercise-all-12-keys/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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	<itunes:summary>I wanted to include backing tracks for a very useful 3-5-7-9 arpeggio exercise that appears in Bert Ligon’s “Comprehensive Technique for Jazz Musicians” book. If you don’t already have a copy of Bert’s books you should invest in them. They contain a wealth of practical information to improve your jazz chops.
 
The exercise is 2.20 on page 43 of this book. Due to copyright restrictions I am not able to include the chart. I have included backing tracks in all keys. The tracks are in concert key.
In the key of F the progression is:
|Gm7|C7|Fmaj7|Bbmaj7|Em7b5|A7|Dm|D7| and repeats
The point of the exercise is to start on the third of each chord. Octave displacement is used in every other measure of the arpeggio on the second note. The seventh resolves into the third of the successive chord by a step.
3-5-7-9 Arpeggio Exercise in the Key of C follows:

3-5-7-9 Arpeggio Exercise in the Key of Dflat follows:

3-5-7-9 Arpeggio Exercise in the Key of D follows:

3-5-7-9 Arpeggio Exercise in the Key of Eb follows:

3-5-7-9 Arpeggio Exercise in the Key of E follows:

3-5-7-9 Arpeggio Exercise in the Key of F follows:

3-5-7-9 Arpeggio Exercise in the Key of Fsharp follows:

3-5-7-9 Arpeggio Exercise in the Key of G follows:

3-5-7-9 Arpeggio Exercise in the Key of Aflat follows:

3-5-7-9 Arpeggio Exercise in the Key of A follows:

3-5-7-9 Arpeggio Exercise in the Key of Bflat follows:

3-5-7-9 Arpeggio Exercise in the Key of B follows:

</itunes:summary>
<itunes:subtitle>I wanted to include backing tracks for a very useful 3-5-7-9 arpeggio exercise that appears in Bert Ligon’s “Comprehensive Technique for Jazz Musicians” book. If you don’t already have a copy of Bert’s books you should invest in them. [...]</itunes:subtitle>
	</item>
		<item>
		<title>250 Jazz Patterns by Evan Tate: Preliminary Patterns &#8211; Major Backing Tracks</title>
		<link>http://www.paulmaine.com/2009/05/250-jazz-patterns-by-evan-tate-preliminary-patterns-major-backing-tracks/</link>
		<comments>http://www.paulmaine.com/2009/05/250-jazz-patterns-by-evan-tate-preliminary-patterns-major-backing-tracks/#comments</comments>
		<pubDate>Tue, 26 May 2009 02:12:09 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[250 Jazz Pattern Backing Tracks]]></category>
		<category><![CDATA[Jazz Backing Tracks]]></category>
		<category><![CDATA[250 Jazz Patterns]]></category>
		<category><![CDATA[Evan Tate]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=532</guid>
		<description><![CDATA[This blog post is the first in a series that will create backing tracks for concert, Eb and Bb instruments that coincide with the the patterns in Evan Tate&#8217;s 250 Jazz Patterns book. You can purchase this book from Evan at the following link:
250 Jazz Patterns by Evan Tate
The following backing tracks can be used... <a href="http://www.paulmaine.com/2009/05/250-jazz-patterns-by-evan-tate-preliminary-patterns-major-backing-tracks/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p>This blog post is the first in a series that will create backing tracks for concert, Eb and Bb instruments that coincide with the the patterns in Evan Tate&#8217;s 250 Jazz Patterns book. You can purchase this book from Evan at the following link:</p>
<p><a href="http://www.250jazzpatterns.com/">250 Jazz Patterns by Evan Tate</a></p>
<p>The following backing tracks can be used for patterns #1-#12.</p>
<p>The following track is for concert instruments:</p>

<p>The following track is for Bb instruments:</p>

<p>The following track is for Eb instruments:</p>

<p>The following backing tracks can be used for patterns #13-#18.</p>
<p>The following track is for concert instruments:</p>

<p>The following track is for Bb instruments:</p>

<p>The following track is for Eb instruments:</p>

<p>The following backing tracks can be used for patterns #19-#25.</p>
<p>The following track is for concert instruments:</p>

<p>The following track is for Bb instruments:</p>

<p>The following track is for Eb instruments:</p>

<p>The following backing tracks can be used for patterns #26-#32.</p>
<p>The following track is for concert instruments:</p>

<p>The following track is for Bb instruments:</p>

<p>The following track is for Eb instruments:</p>

<p>The following backing tracks can be used for patterns #33-#38.</p>
<p>The following track is for concert instruments:</p>

<p>The following track is for Bb instruments:</p>

<p>The following track is for Eb instruments:</p>

]]></content:encoded>
			<wfw:commentRss>http://www.paulmaine.com/2009/05/250-jazz-patterns-by-evan-tate-preliminary-patterns-major-backing-tracks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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	<itunes:summary>This blog post is the first in a series that will create backing tracks for concert, Eb and Bb instruments that coincide with the the patterns in Evan Tate’s 250 Jazz Patterns book. You can purchase this book from Evan at the following link:
250 Jazz Patterns by Evan Tate
The following backing tracks can be used for patterns #1-#12.
The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #13-#18.
The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #19-#25.
The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #26-#32.
The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

The following backing tracks can be used for patterns #33-#38.
The following track is for concert instruments:

The following track is for Bb instruments:

The following track is for Eb instruments:

</itunes:summary>
<itunes:subtitle>This blog post is the first in a series that will create backing tracks for concert, Eb and Bb instruments that coincide with the the patterns in Evan Tate’s 250 Jazz Patterns book. You can purchase this book from Evan at the following link:
250 [...]</itunes:subtitle>
	</item>
		<item>
		<title>II-V-I Minor Short Sequence Backing Tracks in All 12 Keys</title>
		<link>http://www.paulmaine.com/2009/05/ii-v-i-minor-short-sequence-backing-tracks-in-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2009/05/ii-v-i-minor-short-sequence-backing-tracks-in-all-12-keys/#comments</comments>
		<pubDate>Sat, 09 May 2009 21:14:36 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Minor II-V-I Backing Tracks]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[II-V-I]]></category>
		<category><![CDATA[minor]]></category>
		<category><![CDATA[Short Sequence]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=502</guid>
		<description><![CDATA[Each backing track is in concert so if you wish to practice your Minor II-V-I with the I chord a D minor  on tenor saxophone &#8211; you should select the C Minor II-V-I  backing track.
The first two beats of measure one is a IIb5 chord. The second two beats of measure one is a Vb9... <a href="http://www.paulmaine.com/2009/05/ii-v-i-minor-short-sequence-backing-tracks-in-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p>Each backing track is in concert so if you wish to practice your Minor II-V-I with the I chord a D minor  on tenor saxophone &#8211; you should select the C Minor II-V-I  backing track.</p>
<p style="text-align: left;">The first two beats of measure one is a IIb5 chord. The second two beats of measure one is a Vb9 chord. The next measure is a I minor chord and then the pattern repeats.</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is Dm7b5,the V chord is G7b9 and the I chord is C  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Ebm7b5,the V chord is Ab7b9 and the I chord is Db Minor  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is Em7b5,the V chord is A7b9 and the I chord is D  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Fm7b5,the V chord is Bb7b9 and the I chord is Eb Minor  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is F#m7b5,the V chord is B7b9 and the I chord is E  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is Gm7b5,the V chord is C7b9 and the I chord is F  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is G#m7b5,the V chord is C#7b9 and the I chord is F# Minor  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is Am7b5,the V chord is D7b9 and the I chord is G  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Bbm7b5,the V chord is Eb7b9 and the I chord is Ab Minor  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is Bm7b5,the V chord is E7b9 and the I chord is A  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence  Backing Tracks.  The II chord is Cm7b5,the V chord is F7b9 and the I chord is Bb  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is C#m7b5,the V chord is F#7b9 and the I chord is B Minor  Concert follows:<br />
</p>
]]></content:encoded>
			<wfw:commentRss>http://www.paulmaine.com/2009/05/ii-v-i-minor-short-sequence-backing-tracks-in-all-12-keys/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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	<itunes:summary>Each backing track is in concert so if you wish to practice your Minor II-V-I with the I chord a D minor  on tenor saxophone – you should select the C Minor II-V-I  backing track.
The first two beats of measure one is a IIb5 chord. The second two beats of measure one is a Vb9 chord. The next measure is a I minor chord and then the pattern repeats.
II-V-I Short Sequence  Backing Tracks.  The II chord is Dm7b5,the V chord is G7b9 and the I chord is C  Minor  Concert  follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Ebm7b5,the V chord is Ab7b9 and the I chord is Db Minor  Concert follows:

II-V-I Short Sequence  Backing Tracks.  The II chord is Em7b5,the V chord is A7b9 and the I chord is D  Minor  Concert  follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Fm7b5,the V chord is Bb7b9 and the I chord is Eb Minor  Concert follows:

II-V-I Short Sequence  Backing Tracks.  The II chord is F#m7b5,the V chord is B7b9 and the I chord is E  Minor  Concert  follows:

II-V-I Short Sequence  Backing Tracks.  The II chord is Gm7b5,the V chord is C7b9 and the I chord is F  Minor  Concert  follows:

II-V-I Short Sequence Backing Tracks.  The II chord is G#m7b5,the V chord is C#7b9 and the I chord is F# Minor  Concert follows:

II-V-I Short Sequence  Backing Tracks.  The II chord is Am7b5,the V chord is D7b9 and the I chord is G  Minor  Concert  follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bbm7b5,the V chord is Eb7b9 and the I chord is Ab Minor  Concert follows:

II-V-I Short Sequence  Backing Tracks.  The II chord is Bm7b5,the V chord is E7b9 and the I chord is A  Minor  Concert  follows:

II-V-I Short Sequence  Backing Tracks.  The II chord is Cm7b5,the V chord is F7b9 and the I chord is Bb  Minor  Concert  follows:

II-V-I Short Sequence Backing Tracks.  The II chord is C#m7b5,the V chord is F#7b9 and the I chord is B Minor  Concert follows:

</itunes:summary>
<itunes:subtitle>Each backing track is in concert so if you wish to practice your Minor II-V-I with the I chord a D minor  on tenor saxophone – you should select the C Minor II-V-I  backing track.
The first two beats of measure one is a IIb5 chord. The second [...]</itunes:subtitle>
	</item>
		<item>
		<title>II-V-I Minor Long Sequence Backing Tracks in All 12 Keys</title>
		<link>http://www.paulmaine.com/2009/05/ii-v-i-minor-long-sequence-backing-tracks-in-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2009/05/ii-v-i-minor-long-sequence-backing-tracks-in-all-12-keys/#comments</comments>
		<pubDate>Sat, 09 May 2009 20:57:54 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Minor II-V-I Backing Tracks]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[II-V-I]]></category>
		<category><![CDATA[long sequence]]></category>
		<category><![CDATA[minor]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=474</guid>
		<description><![CDATA[Each backing track is  in concert so if you wish to practice your Minor II-V-I with the I chord a D  minor  on tenor saxophone &#8211; you should select the C Minor II-V-I  backing  track.
The first measure is a  IIb5 chord. The second measure is a Vb9 chord. The next two... <a href="http://www.paulmaine.com/2009/05/ii-v-i-minor-long-sequence-backing-tracks-in-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p>Each backing track is  in concert so if you wish to practice your Minor II-V-I with the I chord a D  minor  on tenor saxophone &#8211; you should select the C Minor II-V-I  backing  track.</p>
<p style="text-align: left;">The first measure is a  IIb5 chord. The second measure is a Vb9 chord. The next two measures is a I minor chord  and then the pattern repeats.</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Dm7b5,the V chord is G7b9 and the I chord is C  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Ebm7b5,the V chord is Ab7b9 and the I chord is Db  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Em7b5,the V chord is A7b9 and the I chord is D  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Fm7b5,the V chord is Bb7b9 and the I chord is Eb  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is F#m7b5,the V chord is B7b9 and the I chord is E  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Gm7b5,the V chord is C7b9 and the I chord is F  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is G#m7b5,the V chord is C#7b9 and the I chord is F#  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Am7b5,the V chord is D7b9 and the I chord is G  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Bbm7b5,the V chord is Eb7b9 and the I chord is Ab  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Bm7b5,the V chord is E7b9 and the I chord is A  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is Cm7b5,the V chord is F7b9 and the I chord is Bb  Minor  Concert  follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence  Backing Tracks.  The II chord is C#m7b5,the V chord is F#7b9 and the I chord is B  Minor  Concert  follows:<br />
</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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	<itunes:summary>Each backing track is  in concert so if you wish to practice your Minor II-V-I with the I chord a D  minor  on tenor saxophone – you should select the C Minor II-V-I  backing  track.
The first measure is a  IIb5 chord. The second measure is a Vb9 chord. The next two measures is a I minor chord  and then the pattern repeats.
II-V-I Long Sequence  Backing Tracks.  The II chord is Dm7b5,the V chord is G7b9 and the I chord is C  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Ebm7b5,the V chord is Ab7b9 and the I chord is Db  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Em7b5,the V chord is A7b9 and the I chord is D  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Fm7b5,the V chord is Bb7b9 and the I chord is Eb  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is F#m7b5,the V chord is B7b9 and the I chord is E  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Gm7b5,the V chord is C7b9 and the I chord is F  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is G#m7b5,the V chord is C#7b9 and the I chord is F#  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Am7b5,the V chord is D7b9 and the I chord is G  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Bbm7b5,the V chord is Eb7b9 and the I chord is Ab  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Bm7b5,the V chord is E7b9 and the I chord is A  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is Cm7b5,the V chord is F7b9 and the I chord is Bb  Minor  Concert  follows:

II-V-I Long Sequence  Backing Tracks.  The II chord is C#m7b5,the V chord is F#7b9 and the I chord is B  Minor  Concert  follows:

</itunes:summary>
<itunes:subtitle>Each backing track is  in concert so if you wish to practice your Minor II-V-I with the I chord a D  minor  on tenor saxophone – you should select the C Minor II-V-I  backing  track.
The first measure is a  IIb5 chord. The second measure is a [...]</itunes:subtitle>
	</item>
		<item>
		<title>II-V-I Major Short Sequence Backing Tracks in All 12 Keys</title>
		<link>http://www.paulmaine.com/2009/05/ii-v-i-major-short-sequence-backing-tracks-in-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2009/05/ii-v-i-major-short-sequence-backing-tracks-in-all-12-keys/#comments</comments>
		<pubDate>Tue, 05 May 2009 04:06:18 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Major II-V-I Backing Tracks]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[II-V-I]]></category>
		<category><![CDATA[Short Sequence]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=468</guid>
		<description><![CDATA[Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone &#8211; you should select the C Major II-V-I  backing track.
The first two beats of measure one  is a II chord. The second two beats of measure one is a V... <a href="http://www.paulmaine.com/2009/05/ii-v-i-major-short-sequence-backing-tracks-in-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone &#8211; you should select the C Major II-V-I  backing track.</p>
<p style="text-align: left;">The first two beats of measure one  is a II chord. The second two beats of measure one is a V chord. The next measure is a I chord and then the pattern repeats.</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Dm7,the V chord is G7 and the I chord is C Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Ebm7,the V chord is Ab7 and the I chord is Db Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Em7,the V chord is A7 and the I chord is D Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Fm7,the V chord is Bb7 and the I chord is Eb Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is F#m7,the V chord is B7 and the I chord is E Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Gm7,the V chord is C7 and the I chord is F Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is G#m7,the V chord is C#7 and the I chord is F# Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Am7,the V chord is D7 and the I chord is G Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Bbm7,the V chord is Eb7 and the I chord is Ab Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Bm7,the V chord is E7 and the I chord is A Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is Cm7,the V chord is F7 and the I chord is Bb Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Short Sequence Backing Tracks.  The II chord is C#m7,the V chord is F#7 and the I chord is B Major  Concert follows:<br />
</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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	<itunes:summary>Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone – you should select the C Major II-V-I  backing track.
The first two beats of measure one  is a II chord. The second two beats of measure one is a V chord. The next measure is a I chord and then the pattern repeats.
II-V-I Short Sequence Backing Tracks.  The II chord is Dm7,the V chord is G7 and the I chord is C Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Ebm7,the V chord is Ab7 and the I chord is Db Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Em7,the V chord is A7 and the I chord is D Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Fm7,the V chord is Bb7 and the I chord is Eb Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is F#m7,the V chord is B7 and the I chord is E Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Gm7,the V chord is C7 and the I chord is F Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is G#m7,the V chord is C#7 and the I chord is F# Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Am7,the V chord is D7 and the I chord is G Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bbm7,the V chord is Eb7 and the I chord is Ab Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Bm7,the V chord is E7 and the I chord is A Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is Cm7,the V chord is F7 and the I chord is Bb Major  Concert follows:

II-V-I Short Sequence Backing Tracks.  The II chord is C#m7,the V chord is F#7 and the I chord is B Major  Concert follows:

</itunes:summary>
<itunes:subtitle>Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone – you should select the C Major II-V-I  backing track.
The first two beats of measure one  is a II chord. The second [...]</itunes:subtitle>
	</item>
		<item>
		<title>II-V-I Major Long Sequence Backing Tracks in All 12 Keys</title>
		<link>http://www.paulmaine.com/2009/05/ii-v-i-long-sequence-backing-tracks-in-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2009/05/ii-v-i-long-sequence-backing-tracks-in-all-12-keys/#comments</comments>
		<pubDate>Mon, 04 May 2009 18:13:01 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Major II-V-I Backing Tracks]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[II-V-I]]></category>
		<category><![CDATA[long sequence]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=452</guid>
		<description><![CDATA[Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone &#8211; you should select the C Major II-V-I  backing track.
The first measure is a II chord. The second measure is a V chord. The next two measures is a I... <a href="http://www.paulmaine.com/2009/05/ii-v-i-long-sequence-backing-tracks-in-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone &#8211; you should select the C Major II-V-I  backing track.</p>
<p style="text-align: left;">The first measure is a II chord. The second measure is a V chord. The next two measures is a I chord and then the pattern repeats.</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Dm7,the V chord is G7 and the I chord is C Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Ebm7,the V chord is Ab7 and the I chord is Db Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Em7,the V chord is A7 and the I chord is D Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Fm7,the V chord is Bb7 and the I chord is Eb Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is F#m7,the V chord is B7 and the I chord is E Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Gm7,the V chord is C7 and the I chord is F Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is G#m7,the V chord is C#7 and the I chord is F# Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Am7,the V chord is D7 and the I chord is G Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Bbm7,the V chord is Eb7 and the I chord is Ab Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Bm7,the V chord is E7 and the I chord is A Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is Cm7,the V chord is F7 and the I chord is Bb Major  Concert follows:<br />
</p>
<p style="text-align: left;">II-V-I Long Sequence Backing Tracks.  The II chord is C#m7,the V chord is F#7 and the I chord is B Major  Concert follows:<br />
</p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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	<itunes:summary>Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone – you should select the C Major II-V-I  backing track.
The first measure is a II chord. The second measure is a V chord. The next two measures is a I chord and then the pattern repeats.
II-V-I Long Sequence Backing Tracks.  The II chord is Dm7,the V chord is G7 and the I chord is C Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Ebm7,the V chord is Ab7 and the I chord is Db Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Em7,the V chord is A7 and the I chord is D Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Fm7,the V chord is Bb7 and the I chord is Eb Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is F#m7,the V chord is B7 and the I chord is E Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Gm7,the V chord is C7 and the I chord is F Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is G#m7,the V chord is C#7 and the I chord is F# Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Am7,the V chord is D7 and the I chord is G Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Bbm7,the V chord is Eb7 and the I chord is Ab Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Bm7,the V chord is E7 and the I chord is A Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is Cm7,the V chord is F7 and the I chord is Bb Major  Concert follows:

II-V-I Long Sequence Backing Tracks.  The II chord is C#m7,the V chord is F#7 and the I chord is B Major  Concert follows:

</itunes:summary>
<itunes:subtitle>Each backing track is in concert so if you wish to practice your Major II-V-I with the I chord a D major  on tenor saxophone – you should select the C Major II-V-I  backing track.
The first measure is a II chord. The second measure is a V [...]</itunes:subtitle>
	</item>
		<item>
		<title>Minor Chord Backing Tracks In All 12 Keys</title>
		<link>http://www.paulmaine.com/2009/05/minor-chord-backing-tracks-in-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2009/05/minor-chord-backing-tracks-in-all-12-keys/#comments</comments>
		<pubDate>Fri, 01 May 2009 16:13:03 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Minor Backing Tracks]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[minor chord]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=432</guid>
		<description><![CDATA[Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is about five minutes.
Each backing track is in concert so if you wish to practice your D dorian mode scale on tenor saxophone &#8211; you should select the C Minor backing track.
Minor Chord Backing Tracks... <a href="http://www.paulmaine.com/2009/05/minor-chord-backing-tracks-in-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p>Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is about five minutes.</p>
<p>Each backing track is in concert so if you wish to practice your D dorian mode scale on tenor saxophone &#8211; you should select the C Minor backing track.</p>
<p>Minor Chord Backing Tracks in the Key of C Minor  Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of Db Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of D Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of Eb Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of E Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of F Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of Fsharp Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of G Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of Ab Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of A Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of Bb Minor Concert follows:<br />
</p>
<p>Minor Chord Backing Tracks in the Key of B Minor Concert follows:<br />
</p>
]]></content:encoded>
			<wfw:commentRss>http://www.paulmaine.com/2009/05/minor-chord-backing-tracks-in-all-12-keys/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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	<itunes:summary>Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is about five minutes.
Each backing track is in concert so if you wish to practice your D dorian mode scale on tenor saxophone – you should select the C Minor backing track.
Minor Chord Backing Tracks in the Key of C Minor  Concert follows:

Minor Chord Backing Tracks in the Key of Db Minor Concert follows:

Minor Chord Backing Tracks in the Key of D Minor Concert follows:

Minor Chord Backing Tracks in the Key of Eb Minor Concert follows:

Minor Chord Backing Tracks in the Key of E Minor Concert follows:

Minor Chord Backing Tracks in the Key of F Minor Concert follows:

Minor Chord Backing Tracks in the Key of Fsharp Minor Concert follows:

Minor Chord Backing Tracks in the Key of G Minor Concert follows:

Minor Chord Backing Tracks in the Key of Ab Minor Concert follows:

Minor Chord Backing Tracks in the Key of A Minor Concert follows:

Minor Chord Backing Tracks in the Key of Bb Minor Concert follows:

Minor Chord Backing Tracks in the Key of B Minor Concert follows:

</itunes:summary>
<itunes:subtitle>Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is about five minutes.
Each backing track is in concert so if you wish to practice your D dorian mode scale on tenor saxophone – you should [...]</itunes:subtitle>
	</item>
		<item>
		<title>Major Chord Backing Tracks in All 12 Keys</title>
		<link>http://www.paulmaine.com/2009/04/major-chord-backing-tracks-in-all-12-keys/</link>
		<comments>http://www.paulmaine.com/2009/04/major-chord-backing-tracks-in-all-12-keys/#comments</comments>
		<pubDate>Tue, 28 Apr 2009 13:02:00 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Major Backing Tracks]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[Major Chord]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=393</guid>
		<description><![CDATA[Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is nearly five minutes.
Each backing track is in concert so if you wish to practice your D major Scale on tenor saxophone &#8211; you should select the C Major backing track.
Major Chord Backing Tracks in... <a href="http://www.paulmaine.com/2009/04/major-chord-backing-tracks-in-all-12-keys/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is nearly five minutes.</p>
<p style="text-align: left;">Each backing track is in concert so if you wish to practice your D major Scale on tenor saxophone &#8211; you should select the C Major backing track.</p>
<p>Major Chord Backing Tracks in the Key of C Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of Db Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of D Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of Eb Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of E Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of F Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of Fsharp Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of G Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of Ab Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of A Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of Bb Concert follows:<br />
</p>
<p>Major Chord Backing Tracks in the Key of B Concert follows:<br />
</p>
]]></content:encoded>
			<wfw:commentRss>http://www.paulmaine.com/2009/04/major-chord-backing-tracks-in-all-12-keys/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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<enclosure url="http://www.paulmaine.com/wp-content/uploads/dbmajor.mp3" length="1996895" type="audio/mpeg" />
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	<itunes:summary>Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is nearly five minutes.
Each backing track is in concert so if you wish to practice your D major Scale on tenor saxophone – you should select the C Major backing track.
Major Chord Backing Tracks in the Key of C Concert follows:

Major Chord Backing Tracks in the Key of Db Concert follows:

Major Chord Backing Tracks in the Key of D Concert follows:

Major Chord Backing Tracks in the Key of Eb Concert follows:

Major Chord Backing Tracks in the Key of E Concert follows:

Major Chord Backing Tracks in the Key of F Concert follows:

Major Chord Backing Tracks in the Key of Fsharp Concert follows:

Major Chord Backing Tracks in the Key of G Concert follows:

Major Chord Backing Tracks in the Key of Ab Concert follows:

Major Chord Backing Tracks in the Key of A Concert follows:

Major Chord Backing Tracks in the Key of Bb Concert follows:

Major Chord Backing Tracks in the Key of B Concert follows:

</itunes:summary>
<itunes:subtitle>Backing tracks have been created in all 12 keys. The tempo is a quarter note at 80. Each backing track is nearly five minutes.
Each backing track is in concert so if you wish to practice your D major Scale on tenor saxophone – you should select [...]</itunes:subtitle>
	</item>
		<item>
		<title>Bebop Workout on Anthropaulogy in All 12 keys with Charts and Tracks</title>
		<link>http://www.paulmaine.com/2009/04/bebop-workout-on-anthropaulogy-in-all-12-keys-with-charts-and-tracks/</link>
		<comments>http://www.paulmaine.com/2009/04/bebop-workout-on-anthropaulogy-in-all-12-keys-with-charts-and-tracks/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 01:39:40 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[Jazz Backing Tracks]]></category>
		<category><![CDATA[250 Jazz Patterns]]></category>
		<category><![CDATA[all 12 keys]]></category>
		<category><![CDATA[Anthropaulogy]]></category>
		<category><![CDATA[Anthropology]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[bebop]]></category>
		<category><![CDATA[chart]]></category>
		<category><![CDATA[Dominant Bebop Scale]]></category>
		<category><![CDATA[Evan Tate]]></category>
		<category><![CDATA[I Got Rhythm]]></category>
		<category><![CDATA[Steve Neff]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=367</guid>
		<description><![CDATA[Next to the blues, the chord changes to &#8220;I Got Rhythm&#8221; appear in more jazz songs than any other harmonic structure. The importance of learning how to play over these changes cannot be over emphasized.
I am providing a bebop workout on Anthropaulogy ( Anthropology ) in all 12 keys. Be sure to try Evan Tate&#8217;s... <a href="http://www.paulmaine.com/2009/04/bebop-workout-on-anthropaulogy-in-all-12-keys-with-charts-and-tracks/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;">Next to the blues, the chord changes to &#8220;I Got Rhythm&#8221; appear in more jazz songs than any other harmonic structure. The importance of learning how to play over these changes cannot be over emphasized.</p>
<p style="text-align: left;">I am providing a bebop workout on Anthropaulogy ( Anthropology ) in all 12 keys. Be sure to try Evan Tate&#8217;s 250 Jazz Patterns and Steve Neff&#8217;s Dominant Bebop Scale ideas over this bebop tune in all 12 keys. The quarter note is 250 on the backing tracks.</p>
<p style="text-align: left;">I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C &#8211; you will use a pdf chart in the key of D.</p>
<p style="text-align: left;">
<p style="text-align: left;">Have fun working through all 12 keys!</p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=28" title=" downloaded 414 times" >Anthropaulogy Key C pdf (414)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=29" title=" downloaded 158 times" >Anthropology Key Db pdf (158)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=30" title=" downloaded 190 times" >Anthropology Key D pdf (190)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=31" title=" downloaded 166 times" >Anthropology Key Eb pdf (166)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=32" title=" downloaded 173 times" >Anthropology Key E pdf (173)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=33" title=" downloaded 158 times" >Anthropology Key F pdf (158)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=34" title=" downloaded 159 times" >Anthropology Key Fsharp pdf (159)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=35" title=" downloaded 180 times" >Anthropology Key G pdf (180)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=36" title=" downloaded 163 times" >Anthropology Key Ab pdf (163)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=37" title=" downloaded 161 times" >Anthropology Key A pdf (161)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=38" title=" downloaded 200 times" >Anthropology Key Bb pdf (200)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=39" title=" downloaded 128 times" >Anthropology Key B pdf (128)</a></p>
<p style="text-align: left;">
<p style="text-align: left;">Anthropaulogy in the Key of C follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of Db follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of D follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of Eb follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of E follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of F follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of Fsharp follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of G follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of Ab follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of A follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of Bb follows:<br />
</p>
<p style="text-align: left;">Anthropaulogy in the Key of B follows:<br />
</p>
]]></content:encoded>
			<wfw:commentRss>http://www.paulmaine.com/2009/04/bebop-workout-on-anthropaulogy-in-all-12-keys-with-charts-and-tracks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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	<itunes:summary>Next to the blues, the chord changes to “I Got Rhythm” appear in more jazz songs than any other harmonic structure. The importance of learning how to play over these changes cannot be over emphasized.
I am providing a bebop workout on Anthropaulogy ( Anthropology ) in all 12 keys. Be sure to try Evan Tate’s 250 Jazz Patterns and Steve Neff’s Dominant Bebop Scale ideas over this bebop tune in all 12 keys. The quarter note is 250 on the backing tracks.
I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C – you will use a pdf chart in the key of D.

Have fun working through all 12 keys!
Anthropaulogy Key C pdf (414)
Anthropology Key Db pdf (158)
Anthropology Key D pdf (190)
Anthropology Key Eb pdf (166)
Anthropology Key E pdf (173)
Anthropology Key F pdf (158)
Anthropology Key Fsharp pdf (159)
Anthropology Key G pdf (180)
Anthropology Key Ab pdf (163)
Anthropology Key A pdf (161)
Anthropology Key Bb pdf (200)
Anthropology Key B pdf (128)

Anthropaulogy in the Key of C follows:

Anthropaulogy in the Key of Db follows:

Anthropaulogy in the Key of D follows:

Anthropaulogy in the Key of Eb follows:

Anthropaulogy in the Key of E follows:

Anthropaulogy in the Key of F follows:

Anthropaulogy in the Key of Fsharp follows:

Anthropaulogy in the Key of G follows:

Anthropaulogy in the Key of Ab follows:

Anthropaulogy in the Key of A follows:

Anthropaulogy in the Key of Bb follows:

Anthropaulogy in the Key of B follows:

</itunes:summary>
<itunes:subtitle>Next to the blues, the chord changes to “I Got Rhythm” appear in more jazz songs than any other harmonic structure. The importance of learning how to play over these changes cannot be over emphasized.
I am providing a bebop workout on [...]</itunes:subtitle>
	</item>
		<item>
		<title>Blues Workout in all 12 Keys with Charts and Backing Tracks</title>
		<link>http://www.paulmaine.com/2009/04/blues-workout-in-all-12-keys-with-charts-and-backing-tracks/</link>
		<comments>http://www.paulmaine.com/2009/04/blues-workout-in-all-12-keys-with-charts-and-backing-tracks/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 00:31:52 +0000</pubDate>
		<dc:creator>Paul Maine</dc:creator>
				<category><![CDATA[Blues Backing Tracks]]></category>
		<category><![CDATA[Jazz Aids]]></category>
		<category><![CDATA[12 keys]]></category>
		<category><![CDATA[backing tracks]]></category>
		<category><![CDATA[blues]]></category>
		<category><![CDATA[charts]]></category>
		<category><![CDATA[practice jazz improvisation]]></category>

		<guid isPermaLink="false">http://www.paulmaine.com/?p=310</guid>
		<description><![CDATA[I am providing a simple three chord rock shuffle blues in all 12 keys. Be sure to try Evan Tate&#8217;s 250 Jazz Patterns and Steve Ness&#8217;s Dominant Bebop Scale ideas over the blues in all 12 keys.
I am including a player for all of the backing music. The backing tracks are all in Concert key.... <a href="http://www.paulmaine.com/2009/04/blues-workout-in-all-12-keys-with-charts-and-backing-tracks/"> [Continue Reading]</a>]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><ins datetime="2009-04-19T23:41:56+00:00"></ins>I am providing a simple three chord rock shuffle blues in all 12 keys. Be sure to try Evan Tate&#8217;s 250 Jazz Patterns and Steve Ness&#8217;s Dominant Bebop Scale ideas over the blues in all 12 keys.</p>
<p style="text-align: left;">I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C &#8211; you will use a pdf chart in the key of D.</p>
<p style="text-align: left;">
<p style="text-align: left;">Have fun working through all 12 keys!</p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=16" title=" downloaded 263 times" >Three Chord Rock Shuffle Blues - Key C (263)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=17" title=" downloaded 158 times" >Three Chord Rock Shuffle Blues - Key Db (158)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=18" title=" downloaded 169 times" >Three Chord Rock Shuffle Blues - Key D (169)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=19" title=" downloaded 151 times" >Three Chord Rock Shuffle Blues - Key Eb (151)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=20" title=" downloaded 164 times" >Three Chord Rock Shuffle Blues - Key E (164)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=21" title=" downloaded 161 times" >Three Chord Rock Shuffle Blues - Key F (161)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=22" title=" downloaded 144 times" >Three Chord Rock Shuffle Blues - Key Fsharp (144)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=23" title=" downloaded 163 times" >Three Chord Rock Shuffle Blues - Key G (163)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=24" title=" downloaded 137 times" >Three Chord Rock Shuffle Blues - Key Ab (137)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=25" title=" downloaded 169 times" >Three Chord Rock Shuffle Blues - Key A (169)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=26" title=" downloaded 148 times" >Three Chord Rock Shuffle Blues - Key Bb (148)</a></p>
<p style="text-align: left;"><a class="downloadlink" href="http://www.paulmaine.com/wp-content/plugins/download-monitor/download.php?id=27" title=" downloaded 134 times" >Three Chord Rock Shuffle Blues - Key B (134)</a></p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of C follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of Db follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of D follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of Eb follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of E follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of F follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of Fsharp follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of G follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of Ab follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of A follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of Bb follows:<br />
</p>
<p style="text-align: left;">Rock Shuffle Blues in the Key of B follows:<br />
</p>
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	<itunes:summary>I am providing a simple three chord rock shuffle blues in all 12 keys. Be sure to try Evan Tate’s 250 Jazz Patterns and Steve Ness’s Dominant Bebop Scale ideas over the blues in all 12 keys.
I am including a player for all of the backing music. The backing tracks are all in Concert key. For example, if you play the tenor saxophone and select a backing track in the key of C – you will use a pdf chart in the key of D.

Have fun working through all 12 keys!
Three Chord Rock Shuffle Blues - Key C (263)
Three Chord Rock Shuffle Blues - Key Db (158)
Three Chord Rock Shuffle Blues - Key D (169)
Three Chord Rock Shuffle Blues - Key Eb (151)
Three Chord Rock Shuffle Blues - Key E (164)
Three Chord Rock Shuffle Blues - Key F (161)
Three Chord Rock Shuffle Blues - Key Fsharp (144)
Three Chord Rock Shuffle Blues - Key G (163)
Three Chord Rock Shuffle Blues - Key Ab (137)
Three Chord Rock Shuffle Blues - Key A (169)
Three Chord Rock Shuffle Blues - Key Bb (148)
Three Chord Rock Shuffle Blues - Key B (134)
Rock Shuffle Blues in the Key of C follows:

Rock Shuffle Blues in the Key of Db follows:

Rock Shuffle Blues in the Key of D follows:

Rock Shuffle Blues in the Key of Eb follows:

Rock Shuffle Blues in the Key of E follows:

Rock Shuffle Blues in the Key of F follows:

Rock Shuffle Blues in the Key of Fsharp follows:

Rock Shuffle Blues in the Key of G follows:

Rock Shuffle Blues in the Key of Ab follows:

Rock Shuffle Blues in the Key of A follows:

Rock Shuffle Blues in the Key of Bb follows:

Rock Shuffle Blues in the Key of B follows:

</itunes:summary>
<itunes:subtitle>I am providing a simple three chord rock shuffle blues in all 12 keys. Be sure to try Evan Tate’s 250 Jazz Patterns and Steve Ness’s Dominant Bebop Scale ideas over the blues in all 12 keys.
I am including a player for all of the backing music. [...]</itunes:subtitle>
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